W. H. Over Museum of
Natural and Cultural History
South Dakota's largest natural and cultural history collection!



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Prints by Oscar Howe


Medicine Man

     Oscar Howe was born on the Crow Creek Indian Reservation (South Dakota) In 1915. He attended the Pierre Indian School until 1933. A natural and talented artist, he studied under Dorothy Dunn and had exhibited his traditional Yanktonai art work all across the United States, in London, and in Paris prior to his graduation from “The Studio,” Santa Fe Indian School in 1938. In 1940 he painted the interior dome of the Mitchell Carnegie Library. Prior to entering military service during World War II, he completed ten oil murals depicting the history of the Missouri River Basin on the walls of the Mobridge Auditorium.
      In 1948, Oscar Howe was named Artist-in-Residence by Wesleyan University in Mitchell, South Dakota, where he taught art and earned a Bachelor’s Degree. He earned a Master of Fine Arts Degree from the University of Oklahoma in 1954. He served as Director of Art for Pierre High School from 1953 until 1957, when he was appointed Assistant Professor of Fine Arts, Artist-in-Residence, and Assistant Director of the University Museum at the University of South Dakota in Vermillion. He was appointed Lecturer to the Near East and South Asia by the United States Department of State in 1971. During his tour, he presented programs in nine countries. He designed panels for the Mitchell Corn Palace from 1948 to 1971. Oscar Howe retired from the University in 1980 and was named Professor Emeritus of Art, a position he held until his death in 1983.   Through his art and teaching he realized his greatest hope. “It is my greatest hope that my paintings may serve to bring the best things of Indian culture into the modern way of life.
      Oscar Howe developed his own artistic style which was based on the Sioux culture and philosophy. He wrote, ”It has always been my version of Indian traditions to make it individualistic in my own way, but every part comes from Indian and now white culture. I have been labeled wrongfully a Cubist. The basic design is Tohokmu (spider web). From an all-Indian background I developed my own style.” That unique and distinctive style (vision) utilized lines (linear, rectilinear, or curvilinear) which gave a dynamic, fluid movement to his paintings. Through his art and life, Oscar Howe left a legacy of individuality, innovation, integrity, excellence, and professionalism which serves as a model for future generations of the Native American artists.
Still in Print: Unframed Prints Number: Price:
Antelope in Flight 1601E   90.00
Blizzard Bath 1601N 135.00
Creation of Weotanica 1602N 155.00
Double Woman 1601E   90.00
Ghost Dancer 1601A   60.00
Medicine Man 1601T 155.00
Sioux Rider 1601N 155.00
Sioux Mourning Rider 1601A   60.00
Woman Scalp Dancer 1601K 135.00
Still in Print: Framed Prints Number: Price:
Antelope in Flight 1602D 200.00
Blizzard Bath 1602G 260.00
Creation of Weotanica 1602P 260.00
Double Woman 1602H 200.00
Ghost Dancer 1602A 170.00
Medicine Man 1602U 270.00
Sioux Rider 1602K 250.00
Sioux Mourning Rider 1602C 150.00
Woman Scalp Dancer 1602F 280.00
Posters: Number: Price:
Ghost Dancer (green) 1602M   40.00
Woodgatherer (blues) 1602M   40.00
Calling on Wakan Tanka 1601P   22.50
Mythical Bird 1601Q   15.00
Secondary market Number: Price:
Big Foot at Wounded Knee 298A   625.00 (matted)
Fleeing the Massacre 1601S   600.00 (shrink wrapped)
Fleeing the Massacre 298B   725.00 (framed)
Fleeing the Massacre 1294C   725.00 (framed)
Mythical Bird (2 in stock) 1601V   700.00 (shrink wrapped)
Signed by Oscar Howe: Number: Price:
Big Foot At Wounded Knee 1294A 1100.00 (framed)

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